This is Maria Snyder’s first novel, and she certainly hasn’t offended me the way Scott Bakker did, so I’ll try to be gentle. It is, undisputedly, a first novel.

I loved the premise of this story, about a young woman sentenced to death who is offered the opportunity to become a food taster for the current ruler of Ixia, the Commander. That was great. The pacing of the story is very good, each chapter ending on a cliffhanger. I loved the character Valek (not his name, but everything else about him- this is no real reflection on the book because I’m highly weird about names), the poison trainer and assassin. Of course, I am a sucker for the silent and lethal type when it comes to fantasy fiction.
Snyder has done her homework when it comes to how to professionally taste things, and I found the training sequences to be some of the most interesting parts of the book.
Unfortunately, I got no clear sense of who Yelena, the protagonist, is, and that is a big deal-breaker for me. In fact, I had to open the book again to remember her name and I just finished it last night. I felt her voice to be inconsistent, and I didn’t find out until 126 pages in that her passion in life was acrobatics. Why wait 126 pages to tell me something that interesting about the viewpoint character, when I should have found it out in the first pages? Why didn’t she miss her practice, why didn’t she dream of it, as she was walking to what she thought was her execution? It created a sense of disbelief, since the story is told in first person, that Yelena never once thought about turning a cartwheel before the fire festival.
Another big issue for me was language. “Wanna” “Pudding” “Boss” and “Factory” all make appearances. “Pudding” was jarring because the cook had added it to a vanilla cake recipe to moisten it. But pudding was initially meat-based. The sweet versions (figgy pudding, hasty pudding) were cakelike and would not have made sense to use as a thickening agent. If he had added custard, the forerunner of the desert we know and love today, I would have bought it. As it was, I got an absurd visual of the cook cracking open a box of powdered Jell-O pudding mix.
“Factory” was no good because it was a very specific, singular factory that was being petitioned to be built, but we never once are told what the factory is supposed to be for. Heck, Yelena and the Commander even travel to the factory after it is built, and there is still no explanation as to what it is for. I do understand why the author hid this information and I’m not going to spoiler it, but it was an unnecessary concealment. I’m not going to spoiler it simply because it would take too long to explain. Anyway, “factory” made me really confused as to the technology level of Ixia. There are factories, but no guns? Wha?
There were other ‘beginner’ issues, concerning the plot, but I feel like I’ve gone into it enough. A novelist’s personality often comes through their work, and I actually feel affectionate towards this author. I want her to succeed, and also not to hate me if I ever meet her at a con or something. I feel like Ms. Snyder is a talented person who would benefit greatly from a tough-lovin’ writer’s group and an agent or editor who has the time and patience to ask for rewrites. Another draft of this book could have been infinitely better, propelling Snyder to household name status.
Poison Study is a Luna imprint, which explains a lot. I don’t know that the good folks at Harlequin are all that aware of what it takes to make a really good fantasy, any more than I could write a ripping good romance novel. So maybe the issue here is that this author is not working with the right people for her.
Overall, I did enjoy Poison Study. I don’t think I would read it again, but I will keep tabs on this writer to see how she evolves.